Projects

Notebooks

Albert Roussel 

Impromptu for harp

Maurice Ravel 

Tombeau de Couperin, Prelude for oboe and harp

Erik Satie

Gnossienne n°1 and n°3 for oboe and harp

Lili Boulanger 

Nocturne for oboe and harp

André Caplet 

Divertissement à l’espagnole for harp

Elliott Carter

Bariolage for oboe and harp

Maurice Ravel 

Tombeau de Couperin, Menuet for oboe and harp

Paul Hindemith 

Lied on a poem by Hölty for harp

Maurice Ravel 

Pavane pour une infante défunte for English horn, oboe and harp

Claude Debussy

Arabesque No. 2 for oboe and harp (transcription)

Jean-Pierre Arnaud Oboe

Anne Ricquebourg Harp

Philippe Mercier Artistic collaboration

Duration 55 minutes

 

Concert-reading

Paroles de poilus

Harp and oboe reunited for an intimate concert around the epistolary and musical writings of the Great War.

August 1, 1914: general mobilization. The churches sound the tocsin: the war mows down the men in the middle of the harvest. The letters will be the only link between the combatants and their relatives.

The writing of lives turned upside down by these four years is mixed with musical writing. The selected reading of excerpts from correspondence and war diaries, accompanied by the oboe and the harp, brings to life before our eyes the enthusiasm of the first months, the glances of the father and the lover who became a soldier, the words of children facing separation, life in the trenches, the hell of the front, the testamentary
letters, but also the vision of the nature which takes back its rights as well as the hope, the solidarity and the fraternity which unites the men.

The music of French and German composers of the time – Ravel, Satie, Caplet, Roussel, Debussy, Hindemith – accompanies the stories and at the same time testifies to the vital force of an art that never admits defeat.

Production TM+

Crédits photographiques Christophe Taamourte