Projects

William Byrd, Orlando Gibbons , Jonathan Harvey, John Dowland, Helen Grime, Henry Purcell, Gérard Pesson

Elizabethan Gardens

William Byrd (1543-1623)

Works for keyboard, Fantasy for viols, Songs

Jonathan Harvey (1939-2012)

Death of Light / Light of Death : quintet with oboe 

John Dowland (1563-1626)

Songs

Helen Grime (born 1981)        

Quartet with oboe

Orlando Gibbons (1583-1625)

Fantasy for viols, keyboard work 

Henry Purcell (1659-1695)

Hymns, Songs, Fantasy for viols  

Gérard Pesson (born 1958)

I Wrote it with a second hand CREATION for 10 musicians

 

TM+

Sylvain Devaux oboe and English horn

Anne Ricquebourg harp

Noëmi Schindler violin

Marc Desmons viola

David Simpson cello

 

il Convito

Paul-Antoine Bénos-Djian counter-tenor

Emmanuel Balssa viola da gamba

Claire Gratton viola

Christian Staude violone

Maude Gratton harpsichord

 

Laurent Cuniot direction

 

Christophe Schaeffer lighting design

Marie Delebarre stage manager

Duration 1h15

 

Perfumes in correspondence

Melancholy & Galliards / The complaint and the dance

With Maude Gratton, keyboardist and founder of il Convito, Laurent Cuniot engages in correspondence between peers that four centuries apart but do not separate. By undertaking a navigation between then and now, on roads that cross very far from what we usually hear, the listener welcomes new emotions, as if it were a question, here and there, of the curious otherness of another ourselves.

Maude Gratton travels with il Convito to the golden age of Elizabethan music in the 16th and 17th centuries, to William Byrd, Orlando Gibbons, John Dowland, with an escape towards Henry Purcell, a generation later, whose writing receives the heritage of his predecessors while inventing the audacities to come.

For TM+, Laurent Cuniot joins Jonathan Harvey and Helen Grimes in this adventure of chiaroscuro correspondence. As with their elders from distant centuries, the gravity of tone and the intimacy of death are combined with the energy of movement and the virtuosity of color.

Gérard Pesson’s new work completes the circle – or rather, it opens a new one, which intertwines the numbers, weaves together the vertigo of melancholic shadow and the promise of a dance of light, weaving together references with the necessary finesse to avoid using pastiche. A work for today’s listener, proposing to him, in mirroring the others in the program, to shake up his familiar listening comfort to reach a horizon a little higher than the ordinary.

Coproduction

TM+

il Convito

Maison de la Musique – National interest stage – art and creation – for music

Opera of Massy

With the support of the Centre national de la musique

Kenilworth Castle © Chris Pedley