Sound universe

A Voyage of the Ear, a musical and geographic dialog, in which the music of here and now meets the traditional culture of Bangladesh and the two commune in the same breath.

Yesterday's daring and today's inventions for a program bringing together accomplished virtuosos and up-and-coming musicians whose talent is bubbling up in the conservatories.

« Mobilisez-vous pour la mobilité ! Mobilité du verbe du genre du temps de la classe de l’action des sentiments de la… On a été coupées. En plein mouvement. Je dois y aller. Continuez sans moi, voulez-vous ? »
Camille Bloomfield

The Other (In)Side is an eccentric show, flirting with the burlesque, in which the sonic imagination of Benjamin de la Fuente wraps its arms around the zany poetry of Jos Houben. It’s a joyful dive into the world behind the scenes of a show being made, unmade, and perfected.

A playful electro-dance party for the “piano on shoulder straps.” A fanfare with oomph, but without the oompah-pahs, this program aims to update what we think we know about the accordion, the folk festival, and the multimedia concert.

From the bushland of jazz to the savannah of contemporary music, this musical zebra, born of the meeting between TM+ and Print, joyfully erases borders and reference points at a dizzying gallop.

C’est un voyage où l’on s’aventure beaucoup, très loin, et sans bouger.

The Hatred of Music imposes its vision. It is a tide from which there is no escape.

On trouve au cœur de cette rencontre entre TM+ et l’ensemble de percussions mexicain Tambuco un désir de métissage inventif, exigeant, inédit. Et sans doute aussi une certaine idée de la fête.